![]() Its Multiply Master support is powerful but not intuitive, nor easy to set up.ĭespite these issues, FontLab is probably still the most used type design tool for font production (although that's probably about to change). Workflow can be automated with Python scripting (the type designer's favourite programming language) – you can access most of its internal objects via Python, but the lack of proper documentation can be daunting. Just some of FontLab Studio's many menus on display, as Frank edits the 'Ç' glyph from FS Joey Pro Using FontLab, you can fine-tune everything from OpenType features (advanced typographical features like small capitals) to manual TrueType hinting (for superb rendering on screen). They are powerful enough to create robust, commercial-quality fonts and they run on OS X as well as on Windows. And while this isn't exactly true any more, they're still around because many individual designers and companies based their workflow on them. Fontographer and FontLabįontographer and FontLab were for a long time the de facto tools of type design. This will help you to make an informed decision that will affect your workflow and results before you even set out to create a font. So let's take a look at some major font editor tools available out there: FontLab Studio, Fontographer, Glyphs and RoboFont. I bet you suspect by now that you need something to make it all easy for you. You set information and data to make your font work consistently on all platforms, hint it to look good on your printed page and on screen, and finally export it to the appropriate file formats. The process of type design is a complex one. For most recent news about our apps, visit our news section.FS Lola ExtraBold, as seen in the RoboFont interface ![]() With FontLab 8, users can create, open, modify, draw, space, kern, hint and export desktop, web, color and variable OpenType fonts. Several years in the making, FontLab 8 is an integrated font editor for macOS and Windows that helps users create fonts from start to finish, from a simple design to a complex project, and brings a spark of magic into type design. released FontLab 8, the biggest upgrade to the professional font editor to date. released FontLab 7, a follow-up to FontLab VI with over 250 new features and hundreds of improvements. released updates to FontLab Studio 5, Fontographer 5 and TypeTool 3. released FontLab VI, a complete rewrite of the flagship font editing and creation application, and a follow-up to the hugely popular FontLab Studio 5. released FontLab Pad, a free app that allows Mac OS X and Windows users to use multicolor fonts. In 2003–2004, a series of major updates to FontLab’s products were released: FontLab 4.6, ScanFont 4 for Mac and BitFonter 2 for Mac. (The AsiaFont Studio functionality is now included in FontLab VI.)Īlmost simultaneously TransType 2 for Windows, and TypeTool 2 for Windows (also with CJKV) were finished and released. In December 2001, after 3 years of incubation, FontLab 4 for Windows was released with the first OpenType font editing capability.Īfter extensive consultation with Asian customers and typographers, Fontlab developed and released (in March 2002) AsiaFont Studio for Windows, a new product that combined most of the features of FontLab 4 and FontLab Composer and added many new capabilities to make CJKV font editing faster and easier. In October 2001 Fontlab also announced the new Photofont technology, a non-proprietary XML-based specification which allowed users to create text-searchable bitmap fonts for web sites (Photofont is now an interchange format for color OpenType font creation). ![]() In 1996 Pyrus released two new products: FontLab Composer, a multilingual, multi-platform (Windows, OS/2) international font editor with most of the features of FontLab plus the ability to edit and manipulate CID-keyed fonts of the very large Chinese, Korean, and Japanese character sets and SigMaker, a simple utility that could add a signature (or vectorized version of any bitmap image) to a TrueType font in only a few steps. Pyrus retained Yuri Yarmola, head of the original programming group, to continue development of FontLab and related products. All the rights to FontLab were sold to Pyrus and the SoftUnion programming team. In 1995 SoftUnion decided to divest itself of its software business in order to concentrate on hardware. Both apps were introduced in 1994 and bundled with FontLab 2.5. Users were empowered in other areas by ScanFont, a program to help them convert scanned images into font, and FindFont, a utility to find fonts with particular characteristics on the user's hard disk.
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